| An Open Letter to a Wicked Woman,
This is less about
Relationship, more about Quality Time. Every Artist is
always married. To his Muse. And my own
is Girls wanna have Fun?
Looking for no-strings Adventures? |
ARE YOU.... a WRITER? an EDITOR? an ACTRESS? a LAWYER? a COURTESAN? an ILLUSTRATOR? a PHILANTHROPIST? a SCHOOLTEACHER? a NURSE? a D-GIRL? a PRIESTESS? a CONTRALTO? a COMPUTER GEEK? a MIXED-BREED MUTT? or simply, confidently a GROWN-UP WOMAN? |
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| BLIND
DATE aka: 'Net Worth 1st draft screenplay |
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| IN BLACK OPENING CREDITS GIRLFRIEND (V.O.) FADE IN: INT. WOMAN'S BEDROOM - NIGHT THE NICE WOMAN in a NAUGHTY DRESS frowns in the MIRROR, smiles, scowls, puckers... hurls her lipstick into the sink and hastily wipes it off her lips. Either way she looks okay. Never a raving beauty, showing some age, yet an appealing energy makes her glow from within. She just can't find her Self, in herself, least of all in her own reflection. WOMAN GIRLFRIEND (O.S.) WOMAN In contrast, the older WOMAN FADES TO GRAY whenever her GIRLFRIEND DIZ STEPS INTO THE PICTURE - a younger and near-flawless boy-toy. Or maybe she is a girl-toy, as CLOSE she inspects the WOMAN's makeup, adjusts a curl of hair, then runs her hands slowly along every critical curve on that naughty dress. She finishes with a tweak of the noticeable nipples beneath the fabric. GIRLFRIEND WOMAN GIRLFRIEND WOMAN GIRLFRIEND WOMAN GIRLFRIEND WOMAN GIRLFRIEND WOMAN GIRLFRIEND WOMAN The two women hold in a sensual embrace....which quickly shifts to sisterly back-pats. Their relationship remains ambiguous. DISSOLVE TO: EXT. DARK ROAD - NIGHT WOMAN'S CAR stops at intersection. INTERIOR LIGHT goes on. CUT TO: INT. WOMAN'S CAR - NIGHT She rotates the hand-drawn MAP, trying to find North. Her head bobs, ducks, she leans way over in the seat to look out the windows for WOMAN A HORN BLAST scares her witless. ANGLE Only when she pops up do we see her head ILLUMINATED by OUT BACK WINDOW a PICKUP TRUCK. It HONKS again and FLASHES HEADLIGHTS. CUT TO: EXT. DARK ROAD - NIGHT WOMAN'S CAR accelerates around corner with a SCREECH, leaving that PICKUP in a CLOUD OF DUST. DISSOLVE TO: EXT. CUL-DE-SAC - NIGHT WOMAN'S CAR turns, stops, shuts off.... just sits there. CUT TO: INT. WOMAN'S CAR - NIGHT She still just sits there. Then she moves so fast suddenly she is CUT TO: EXT. CUL-DE-SAC - NIGHT standing outside, visibly pulling up courage. Her BEEPER LOCKS her car and she walks toward SMASH CUT TO: EXT. RELIC'S WAREHOUSE - NIGHT a spooky dark old building in shabby disrepair. She stops, turns, points so her BEEPER UNLOCKS her car. WOMAN TRACKING Holding her KEYCHAIN LIGHT ON THE MAP WOMAN SMASH CUT TO: EXT. RELIC'S BACK DOOR - NIGHT Hidden by HEDGE and SHRUBS.... one dim bulb reveals a heavy SECURITY DOOR WITH SMALL INSET WINDOW. She steps up and KNOCKS LOUD.... KNOCKS again.... WOMAN THE LIGHT GOES OUT! just as A BRIGHTER LIGHT GOES ON BEHIND HER. THE WOMAN'S OWN SHADOW CASTS EERIE DISTORTIONS ACROSS THE DOOR. WOMAN but when she steps back, the BRIGHT SPOTLIGHT SHINES DIRECTLY UPON THE DOORKNOB hanging on the doorknob is a SMALL BAG She takes it, opens it, removes: A BLINDFOLD and A JOINT. Her face registers a range of reactions until she selects one emotion: WOMAN She whirls on her heels determined to depart, but STACCATO CUTS MONTAGE: She stops a few feet away to light the JOINT. WOMAN (Doppler fade) She finishes, flicks the stub away with finality. TRACKING she stomps toward the door, jaw and fists clench, DOPE SMOKE BILLOWS FROM HER NOSTRILS. She walks up ready to kick in the door.... just as THE LIGHT GOES OFF BEHIND WINDOW. UH-OH! She hesitates, feeling the marihuana hit her system.... then steps forward to place her toes on the threshold. She slips the BLINDFOLD over her eyes and pulls it tight. With one deep Zen breath, she raises both fists. She extends two fingers. She points them at herself, runs them across her chest searching - finding - pinching her own nipples through the fabric. THE WOMAN winces, licks dry lips, fumbles blindly for the doorglass.... and TAPS THE GLASS like a mouse. END OPENING CREDITS The DOOR OPENS, a HAND REACHES OUT to guide her INTO TOTAL DARKNESS FADE OUT: FADE IN TO...? |
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Copyright © 1999 faux pas productions |
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| Copyright © 1998-2001 the eVangelist | |||||||||||||||